No, not the heartbreakingly terrible new reunion album from a beloved post-punk band, but the compelling experimental play at UNC starring a real robot. Most impressive was how director Francesca Talenti was able to plumb below what could have been a sheer gimmick to unearth a lingering emotional resonance. I didn’t simply ponder what it meant for a robot to be human. For awhile, I believed. Read my thoughts on The Uncanny Valley at the INDY’s Artery blog.